COMPUTER FLOPPY DISK PAINTINGS
Since 2013, Taylor Smith has used obsolete computer floppy disks as both painting surface and cultural artifact, transforming remnants of the early digital age into large-scale mixed-media works.
Once designed to store information, the disks now carry another kind of record: handwritten labels, software names, dates, fragments of personal histories and traces of their former owners. Smith incorporates these found materials into images drawn from popular culture, history and contemporary life, creating a dialogue between individual memory and collective cultural memory.
The floppy disk paintings explore the tension between technological obsolescence and physical permanence. Information once considered important enough to save has become inaccessible or forgotten, while the objects that held it remain. Through painting, Smith gives these discarded carriers of memory a new material life.